The prior posted image of the "design room" is both cropped and reversed. Let’s take a closer look at the second Mystery Tucker picture as it should appear:

First, the full-sized car on the mural is one of the first renderings prepared by Alex Tremulis around Christmas/New Years 1946.

His signature leaves no doubt as to its origins.

Look closely on the top front of the mural and four other smaller renderings are shown attached to the mural. These are also Tremulis creations, two of which are shown below:


The clay model on the table is shown below in closeup. Note the table on which it rests is the same as in the “design room” photo.

This clay model is the 3D incarnation of Tremulis’ February 28, 1947 vellum that was used to create the rendering shown in the advertising displayed in the Chicago Hearld-American on March 2, 1947.


It’s also the same Tucker version that ended up in the Tucker Automobile patent filed on March 15, 1947. They still have the wrap-around rear window.

Here’s a not-so-unrelated photo of Alex Tremulis, second from the right, and three others in front of a wooden buck. It’s not so unrelated because these are the very same men as in the “design room”, still wearing the same clothes. The two gentlemen to the right of the buck are both in the background in the design room. The gentleman with his hand on Tremulis’ shoulder is directly opposite him working on the small clay model.

Some observations: The windows in both the design room and the wooden buck picture are identical.
The support posts have very similar drop-downs attached for power.
A frame is seen in the background of the wooden buck photo that has large clamps attached to it, possibly to hold up the full-sized mural.
Finally, on the backs of the photos of the clay model and the wooden buck, they are stamped Chicago Photographers 2698-3 and 2698-6.

I would venture to bet that the original of the design room photo also is from the same series (2698), same date as the other photos. Anyone have it? Chicago Photographers are the same group that documented the unveiling of the Tin Goose in June of 1947. I’d have to conclude that the pictures were for PR purposes, that they were taken at the Tucker plant, not at Tammen and Denison, and that the design room scene was staged for the appearance of a very busy styling team.
So who are the gentlemen with the wooden buck?